Photographed by our fearless lensman, Patrick McMullan.
At Marquee these days where he mans the velvet rope he’s known simply as the “The Hammer,” but anyone who’s frequented NYC hotspots for the past decade recognizes Wass Stevens as one of the most provocatively-dressed dudes wherever he happens to be. An actor by day with a burgeoning CV, the former boxer and assistant district attorney favors the custom creations of Ron & Ron, which combine “class with a hint of rogue”, mixed in with select A-list label pieces.
More on today’s MOTH at Marquee’s Fourth Anniversary bash »
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Photographed by our fearless lensman, Patrick McMullan.
A few months ago we appealed to Vanity Fair editor Graydon Carter—in an avuncular fashion—to discard the double-breasted suits which added an unflattering layer to his majestic midsection; the wrong kind of camouflage, if you will.
He has apparently taken our advice to heart»
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Photographed by our fearless lensman, Patrick McMullan.
When it first came out in 1973, Lou Reed’s tragic rock opera Berlindisappointed fans who’d been expecting an upbeat follow-up to his glam opus Transformer. Left to gather dust, it took twenty years for critical opinion to come around and finally dub it a masterwork.
Larger-than-life artist/auteur Julian Schnabel had, of course, always been a believer»
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