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The Real Winners at Last Night’s Tuxedo Games

The Real Winners at Last Night’s Tuxedo Games

The third and final Fey-Poehler-helmed Golden Globes ran like a well-oiled machine last night.

Which allowed us to focus on what was really important: the tuxedos.

And from the looks of last night’s proceedings, it would seem the state of black tie on the red carpet is as strong as ever (and that Hollywood has reached peak beard). With the competition stiffening with each new awards season, the stakes were higher than ever...

So, without further ado, here were the real winners of last night’s tuxedo games.

The Real Winners of the 2013 Emmys

2013-09-23T002437Z_01_LOA900_RTRIDSP_3_TELEVISION-EMMYS A little something called the Emmys happened last night.

Sure, there were some upsets on the podium, but we were more interested in who won the red carpet. And we must say, the competition was strong (while last night’s mantra seemed to be “this golden age of television,” the past few awards seasons suggest we’ve reentered a “golden age of red carpet black tie” as well).

It was mostly a black and midnight blue affair, but there were a few departures we could get behind—most notably, Jon Hamm’s ivory peak lapels and even Neil Patrick Harris’ deep wine-hued number. Naturally, we’ve rounded up the most dapper of the lot:

A look at the real winners of last night’s Emmy’s, after the jump. »

And the Menswear Grammy Goes to... Billy Reid

Mumford

The red carpet at a music awards show is often host to the most egregious of questionable fashion choices—mostly because musicians have never been ones to shy from experimentation or making statements.

Which is why we were happy to learn that a few prudent musicians chose to wear Billy Reid—it paid off especially for the Mumford boys as they collected the big award of the night, looking like the sort of guys you’d want to hear crooning with banjos despite their British accents. The other group that wore Billy’s stuff was equally well suited for the task, being fellow Southern natives, the Alabama Shakes. Even their songstress, Brittany Howard, wore a custom-made dress from Reid—lest you forget the man has mastered both sides of the aisle.

Or that Billy Reid has just as keen a taste in music as he does in style. A few more shots of musicians sporting his looks after the jump.»

Elena Baguci Is Game

It’s Whiskey Season: Valet celebrates American rye whiskey—in turn, you should celebrate by drinking it. [Valet]

Red Zone: Esquire plays dress-up with the red carpet’s best dressed—from Hamm to Baldwin. [Esquire]

Not All Flash: Engadget get its hands on the most menswear camera on the scene right now: the Leica X2 Paul Smith Edition. [Engadget]

Ill Willard: SNL couldn’t wait till Saturday to satirize Mitt Romney. [LA Times]

Jennifer Lawrence Is Making a Crop Circle

via Doobybrain

Cashmere Is King: A primer on neo-sprezzatura from Luigi Lardini with gems like: “First the jacket, then the rest.” [Fashion We Like]

It’s Patt: His newfound preference for Gucci tailoring has earned Robert Pattinson some well-deserved red carpet cred as of late. GQ shows us his seven-year evolution. [GQ]

H-to-the-Izzo: The Times spends a few hundred words analyzing Jay-Z’s impact on the Brooklyn Nets franchise when it took him only eight: “I’m not a businessman. I’m a business, man.” [NY Times]

Behold...: The invisible bike helmet. (Or a cold-gas-filled cranial airbag, whatever you want to call it.) [Gear Patrol]

Kempt Man of the Hour: Tom Ford

It’s no secret that Tom Ford has been the driving force behind Colin Firth’s recently impeccable run at premieres and awards podiums everywhere—so it should come as no surprise that Mr. Ford can dress himself for the red carpet. Here he is at last night’s Met Ball, standing out in a field that was particularly formidable—everyone seems to be taking black-tie seriously again, thank goodness.

The difference here is that, even though we’re dealing with a double-breasted tux, a large bow tie and a larger boutonniere—all potentials for overdoing it—he keeps it in check, and in a black-and-white palette that manages to not look so, um, “Tom Ford.”

And having a supermodel at your side never hurts.

The Icon: Alec Baldwin

It’s easy to forget what a slick bastard Alec Baldwin was in his prime.

It’s not that he’s fallen off; just the opposite. He’s aged so gracefully, it’s hard to remember he wasn’t always the jolly playboy uncle he is now. But over the years, he’s passed through a wide range of styles, from “young hunk” to “slicked-back corporate raider” to “mountain man,” and he’s never seemed like anyone other than himself.

So we thought we’d take a minute to celebrate the evolution of Mr. Baldwin, in five easy pieces...

The style of Alec Baldwin in five pictures»

Kempt Man of the Hour: Ewan McGregor

Wearing black is harder than you think.

It’s not just black suits either. Even in a more casual setting, you have to go through the minefield of assembling an outfit’s worth of matching-but-not-too-matching shades of deep gray, and then hope your complexion is warm enough that you don’t look like a corpse or a Tim Burton character.

But at last week’s W.E. premiere, Ewan McGregor pulled it off—and on a red carpet, no less. The fur collar on his coat keeps things from getting too severe, but the real trick here is the roughly textured sweater, which keeps him looking more rugged than gothic.

Add in some winter stubble and an Old Hollywood flourish of the hair, and he’s ready for his close-up.