You may have seen their work before in the titles of The Kite Runner or detailing Will Ferrell’s humdrum existence in Stranger than Fiction (both from Quantum director Marc Forster), but the opening titles of a Bond film are iconic enough to be any animation worker’s dream job. Add in a desert setting and Jack White and Alicia Keys’ fantastic title song, and you’ve got one of the best intros in the series.
There are many ways to wear a cardigan. For the Italian premiere of a film you may have heard of, the esteemed Mr. Craig opted for the big collar/big tie route. It’s a good choice, since Italy is silk country and more is still better in Rome. He keeps the cardigan tactically slim instead of opting for the grandpa look, and ends up with a thoroughly adult outfit.
Also, it helps if you look like you’re ready to kick someone in the face.
The Bond movies have been overstuffed with product placement from the very beginning, even when they were shilling for products that didn’t exist like the ejecto-seat or the razor hat. It makes sense, since the Bond market tends to be interested in fast cars, sharp suits, shiny phones and the like. But we didn’t expect them to expand into the world of matching drapes.
Of course, Daniel Craig is already on record as being much-impressed with Tom Ford, but apparently he’s got a bit more clout these days, which means we’ll be seeing less Brioni and a lot less of those miniscule swimming trunks from *Casino Royale*. (Something tells us Roger Moore didn’t have to put up with that sort of thing…)
It’s rare to see a choice like this made by the star and not the marketing or wardrobe department, but it looks like Mr. Craig is moving up in the world. After all, what’s the point in having an acting gig if you can’t use it to score a good suit every now and then?
Political endorsements come and go, but the most important one by far comes from England’s most globe-trotting, martini-sipping secret agent. Yes, we’re talking about the Bond endorsement.
Making the press rounds for *Quantum of Solace*, Daniel Craig has said that Obama would make a better Bond because he could “look the enemy in the eye and go toe-to-toe with them,” which we assume means he’s spry enough to chase some guy doing parkour. As for McCain, Craig says he’s more M material. “There is, come to think of it, a kind of Judi Dench quality to McCain.”
If Bob’s leftovers aren’t current enough for you, maybe you’d prefer a tune that’s a little more Bond-themed. Jack White and Alicia Keys’ theme for *Quantum of Solace* has been kicking around file-sharing sites for a while, but it’s finally gotten a proper video and we’re now ready to profess our undying love.
As the hype crescendos around *Quantum of Solace*'s impending release—new Bond Girls!—it's a good time to consider the flick in its historical context. Especially as a smashing collection of classic 007 placards are hitting the block at Christie's in London tomorrow. The prized Bond lot in the auction house's *Vintage Film Posters* sale is a mint condition 1964 *Goldfinger* sheet in the rare British quad style B format, estimated at $7,00 - $10,000.
We're partial however to this quirky and equally scarce Aston Martin promo piece produced for *Thunderball* in 1965, which is a much better deal at est. $3,000 - $3,500. Also included are classics from *Dr. No* (1962, est. $2,700 - $4,500), *From Russia With Love* (1963, est. $2,700 - $4,500) and the rest of the pantheon, with several variations of each. Mr. Craig would do well to study these masterpieces if he hopes to err on the side of Connery.
We’re already more than hyped for *Quantum of Solace*, the new Bond film due in November, but before now we were relying on a teaser trailer and a few posters, which didn’t reveal much more than our protagonist’s preference for lightweight fabrics and heavyweight weaponry. Until now, that is.
The newly released trailer gives us a closer look at the sequel, a closer look at new Bond girl Gemma Arterton, and a glimpse at the surprising direction our favorite secret agent is heading. Apparently one place he’s heading is towards sequential plots; this one picks up right at the end of *Casino Royale*, with a heartbroken Bond out for vengeance. Unlike Connery’s Bond—whose relationship towards his companions was somewhat more casual—this Bond is shaping up to be mopey, vengeful and more than a little emo.
Not that we’re judging. We’d find Eva Green pretty hard to get over too.
However, knowing how into Tom Ford Craig is—as we noted before, he refused to wear anything else for his *GQ* cover shoot, and went through 40+ Ford suits while filming the latest Bond flick, *Quantum of Solace*—we were somewhat taken aback to see him pictured in the mag wearing nothing but Dolce & Gabbana. Looks to us like someone at *VF* went out of their way to favor the Italian duo over the MOTH king—and it also looks like Tommy needs to buy a lot more ad space.