Gemma

Ah, the Bond Girl—intended as a paragon of her species, the female foil and flame of cinema’s ultimate embodiment of masculinity says more about what we wish women were than what they are. Beginning with Ursula Andress (who emerged Aphrodite-like from the surf), the history of Bond’s beauties is a long and luscious chronicle of our desires both sublime (Barbara Bach’s Agent XXX) and ignoble (Denise Richards’ Dr. Christmas Jones).

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