The pay for the gig is the price of a cab ride, flagged down on the day of the shoot. The cabbie introduces the band, or often enough, just the frontman. (The cabs aren’t big, after all.) The songs are all recorded in one take, usually on the way from the hotel to the venue, so the sessions have an immediacy and intimacy that’s increasingly rare in music. The camera periodically pans across the street for a little incidental London scenery, just so you don’t forget where you are.