We were digging through our magazine pile when we belatedly ran across the Wall Street Journal’s magazine profile of LVMH honcho Bernard Arnault, which is amazing mostly as a masterpiece of diplomacy. The Journal is just getting its WSJ fashion periodical on its feet, and the last thing they need is to tick off the richest man in France.
As a result, there’s nothing too juicy, but we did get a peek at an old rivalry we’d almost forgotten about. This one concerns two French luxury giants tussling over an iconic Italian brand, only to stage an uneasy reunion over their shared love of money. It’s heady stuff—in fact, we’re working on the movie version already.
Marc Jacobs and Takashi Murakami’s long-discussed Louis Vuitton Monogramouflage pattern was unveiled at Thursday’s gala exhibit opening and, as you might have expected from the impish Murakami, it takes the logo to some very new places.
Messrs. Jacobs and Murakami keep LV’s geometric symbols, but switch up the regal purple-and-gold pattern for a squiggly pop-art camo that’s more suited to comic books than oil paintings. It’s more in line with Murakami’s aesthetic than Jacobs’ or Louis Vuitton’s, and it raises more than a few questions about where Jacobs plans to take the brand»
Master of the narrow silhouette, Hedi Slimane, who traipsed out of Dior's door to pursue photography and greener pastures, is appearently in talks with Bernard Arnault, chairman of LVMH (Dior's parent company), to start his own fashion house. Even though the label Slimane rode to success, Dior Homme, remains strong under the hand of new designer Kris Van Assche, the market misses Hedi's unique touch. Let's hope those kids work it out. [DNRNews]