American cinephiles rejoice: this weekend the Coen brothers grace us with their 16th feature-length film, Inside Llewyn Davis.
And by all accounts, it promises to be another Coen-riffic masterpiece to add to their already iconic oeuvre—one that gets re-dissected every time a new film pops up. But here’s one thing critics have managed to overlook: the on-screen style. It varies as much as the genres they’ve tackled and warrants as serious consideration as any other facet of their distinctive storytelling. Naturally, we’re correcting that oversight with: